He is the staff writer of TheBody & TheBodyPro—the world’s largest publications devoted to covering HIV & AIDS—and the dance editor for Token Theatre Friends, Jose Solís’ industry transforming theatre publication. His has contributed to Christian Science Monitor, Ponyter, Xtra, Anti-Racism Daily, Observer, TDF Stages, Into More, The Flash Paper, American Theatre Magazine, Dance Magazine, Time Out New York, SYFY Wire, SNews, AMC Outdoors, Toggl, Online SOS, New York Stage and Film, Colorlines, Electric Literature, Social Soundtrack, Dance Enthusiast, Association Success, Exeunt NYC, HuffPost, Cherie, Ballet Review, Movement Research, and BroadwayWorld Dance where he was managing editor & critic-in-residence. For selected highlights, visit his Writing Portfolio.
He has taught and lectured for Dance Theatre of Harlem, USC Annenberg School of Communication and Journalism, University of Texas at Austin’s Dance & Theatre Department, Kent State University’s School of Theatre & Dance, 92nd Street Y, College of Mount Saint Vincent, Jose Solis’ BIPOC Critics Lab (in its original workshop and at the Kennedy Center), and The Masters School. Juan Michael also coached hundreds of students across New York City’s five boroughs in running as the regional coordinator of the New York Road Runners Foundation.
As the founding artistic director of The Moving Beauty Series, production partner of Williamsburg Movement & Arts Center, and former director of dance of Webster Hall’s Quarterly Art Soirée, he has produced hundreds of artists from all over the world in concert.
Juan Michael is a life-long traveler, an avid hiker, a former model, and probably an otaku.